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巴西资讯巴西中巴合作2026年8月29日

H&M巴西首年本土化调整:试衣间扩容揭示零售新逻辑

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Fashion insights also come from consumers

H&M巴西营销总监披露进入首年运营调整:因巴西消费者偏好店内试穿与互动,门店增加试衣间数量。这一调整折射出巴西零售市场对线下体验的依赖,对在巴布局的中资品牌具有参考价值。

为什么值得关注

H&M巴西首年调整揭示本地消费者行为差异,对在巴中资服装零售品牌的线下门店策略具有直接参考价值。

瑞典时尚集团H&M于2025年8月正式进入巴西市场,其营销与传播总监Louise Rossetti(路易丝·罗塞蒂)近日接受巴西媒体Valor采访时,披露了品牌进入巴西第一年的关键运营调整。Rossetti表示,巴西消费者习惯在店内长时间试穿并与销售助理互动,因此H&M从第二或第三家门店起增加了试衣间数量。这一细节反映出巴西零售市场与欧美市场的显著差异,也为同样在巴西拓展线下渠道的中资品牌提供了直接参照。

H&M于2025年8月进入巴西,目前处于首年运营阶段。营销与传播总监Louise Rossetti在采访中透露,品牌进入巴西后迅速发现本地消费者行为与欧洲市场存在明显差异:巴西消费者更倾向于在实体店试穿,并愿意花时间与销售助理交流。基于这一观察,H&M从第二或第三家门店开始主动增加试衣间数量,以适应本地需求。Rossetti本人拥有超过10年法国生活经历,曾在巴黎爱马仕工作7年,并在欧莱雅全球总部任职,其跨市场经验使其对巴西市场的独特性有较敏锐的判断。

底稿未涉及中资企业直接影响,但H&M的调整通过零售运营逻辑间接传导至在巴布局的品牌方。巴西联邦税务局(Receita Federal)对进口服装征收的关税及工业产品税(IPI)构成中资服装品牌进入巴西的主要成本项,而H&M的本地化策略显示,单纯依赖线上渠道难以覆盖巴西消费者的核心购物习惯。对于在巴西经营服装、鞋帽、配饰等品类的中国企业而言,线下门店的试衣体验、导购服务等软性投入,可能成为与本地及国际品牌竞争的关键变量。

底稿显示,Rossetti将全球品牌在巴西的扩张节奏形容为一场“迷人的舞蹈”,需要平衡全球定位与本地偏好。她指出,巴西消费者与品牌建立情感联系的方式比欧洲消费者更热情、更亲密,甚至会给品牌起昵称,这与法国消费者的行为模式形成鲜明对比。CBI认为,这一观察对中资品牌具有实际参考意义:巴西市场的品牌忠诚度不仅建立在产品性价比上,还依赖于情感连接和本地化表达。此外,Rossetti强调当前消费者行为高度多渠道化,Z世代尤其能在线上与线下场景间自然切换,营销已从品牌单向传播转向品牌、消费者、创作者共同参与的协作模式。

未来18个月,H&M在巴西的门店扩张节奏、试衣间配置标准是否进一步调整,以及其社交媒体营销中巴西本地创作者参与度,均可作为观察巴西零售市场变化的参考指标。同时,中资品牌可关注巴西消费者对国际品牌昵称化传播的案例,评估自身品牌在本地社交媒体语境中的接受度。

CBI 观察编辑判断

事实层面,H&M因巴西消费者偏好店内试穿而增加试衣间数量,这一调整基于首年运营数据。CBI认为,该案例表明巴西零售市场对线下体验的依赖度高于预期,中资品牌若仅聚焦线上渠道可能错失核心客群;同时,Rossetti所述“消费者参与营销”趋势,提示中资企业需重新评估在巴西市场的品牌传播预算分配。

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信息概要

类型
企业动态
方向
巴西
分类
中巴合作
层级
编辑整理
地点
在巴西经营服装、鞋帽、配饰的中资品牌及零售企业
核验
待核验
对象
在巴中资零售企业服装及消费品出口商品牌营销负责人
话题
市场进入行业趋势企业动态

来源信息

来源
Valor International
原文标题
Fashion insights also come from consumers
原始语言
英语
原文链接
查看原文 →
编辑
Clara Lin
查看原文(英语

Fashion insights also come from consumers

Louise Rossetti Rogerio Vieira/Valor Louise Rossetti is the marketing and communications director at Swedish fashion giant H&M, which entered Brazil in August 2025. Before taking the position, she built an international career in fashion marketing, spending seven years at Hermès in Paris and working at L’Oréal’s global headquarters. Rossetti lived in France for more than a decade and graduated from the French Fashion Institute. For her, leading a global brand in Brazil is, above all, an exercise in listening. Below are the main excerpts from her interview with Valor: Valor: What has H&M learned about the market during its first year in Brazil? Louise Rossetti: One very concrete example is that we need more fitting rooms in our stores. Starting with our second or third store, we increased the number of fitting rooms. Valor: Why? Rossetti: Brazilian consumers like trying on clothes and taking their time in the store. They also like interacting with a sales associate who helps them. That behavior is somewhat different from what we see in other markets. Valor: How does a global brand calibrate the pace of its expansion, launches, and investment in new collections to the particular characteristics of each country? Rossetti: It is a fascinating dance because it involves precisely balancing the global positioning, the brand’s identity, local preferences, and what local consumers seek. Navigating all these different worlds—and maintaining the right balance among them—is a valuable exercise. We have to bring the company’s essence to the market, show what it stands for, and align that with what Brazilians want, considering how it can be adapted and how we can connect with them genuinely. Valor: What is the main difference between Brazilians and Europeans in their relationship with fashion? Rossetti: Consumers worldwide have many similarities today. We are all exposed to a vast amount of information, rapid change, and knowledge that circulates globally. So I see greater uniformity in that respect. But I think Brazilians form emotional connections with brands in a special way, perhaps differently from consumers in the European fashion market, where I worked for many years. I think we Brazilians build close relationships with brands. We create nicknames for them and our own ways of referring to them. That differs from how French consumers behave. The French perceive brands differently. I think it is a deeply cultural issue that reflects differences between countries. In Brazil, the emotional connection is always more passionate. I believe that is a major difference from European markets, for example. Valor: Does it still make sense to think about getting Generation Z away from screens and into physical stores? Rossetti: There used to be a perception that online customers bought only online and physical-store customers bought only in stores. That is no longer the case. Consumers are highly multichannel today, and those who buy through one channel also purchase through another. Consumer behavior is now very dynamic, just like the world we live in. I think Generation Z, more than any previous generation, is keenly aware of this and moves naturally between these worlds. Valor: What role do influencers play in this process? Rossetti: Their role is enormous today. Historically, marketing followed a communications model in which information flowed from the brand to the market. We now operate in a highly collaborative environment where everything is connected, and everyone contributes: you, me, content creators, influencers, the press, and the various channels. Everyone collaborates and contributes in a highly dynamic way. Influencers also play a key role because they become part of the conversation within this communications ecosystem. They have tremendous influence over consumers and brands, and vice versa. I think everyone is discussing this issue, and it is a global phenomenon. Valor: What will fashion marketing look like over the next 18 months? Rossetti: Dynamic—very dynamic—and collaborative. Creators, customers, media outlets, and brands will all participate in the conversation. That is exactly how I see the landscape, with everyone contributing. Valor: In that environment, what does leadership in fashion marketing look like? Rossetti: The challenge is considerable because fashion continues to play a very important social role, fostering inclusion and community as well as self-perception, empowerment, self-image, and self-confidence. Fashion has gained greater prominence precisely because of this collaborative approach, which gives people the freedom to explore and develop their self-expression. Information no longer comes only from brands, newspapers, or magazines. It also comes from consumers, who can now use social media to show how they want to dress. Translation: Todd Harkin

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